Not because they are mono but because the mix can be a lot better than the stereo as the main market was kids with mono record players.
Are vinyl mono.
The record was put out both in stereo and in mono but the mono record was more collecitble with the years maybe because of the authentic of the era when it was out.
Fleetwood mac rumours rare dutch white grey marbled vinyl lp a rare grey and white marbled vinyl pressing of rumours.
Brodnation the future never dies because tomorrow never knows.
Lahtbp and bherbert like this.
For records in the late 60s often the mono pressing is much sought after.
At prices ranging from 9 95 18 95 at the time.
I far prefer it.
The driving force behind these two channel stereophonic.
Stereo pressing of meet th.
The mono mix of their first album is fabulous so much more dynamic and balanced.
Their songs start off soft and builds up slowly to a raging climax just like explosions in the sky.
Do you personally believe it will ever be reissued.
Beatles a hard day s night sealed mono 1964 lp a sealed original mono pressing of the beatles soundtra.
Stereo lp a still sealed original u s.
The first semi pro tape decks available in two channel came out in 1953 and rca had stereo tape on sale to the public by 1955 though dominated almost exclusively then by a classical catalog and.
You are there will please all fans of eits and all fans of beautiful instrumental music in general.
I heard the mono.
As you all know the beatles mono vinyl released in 2014 is now oop unfortunately.
Vinyl s main competitor prior to the rise of portable formats in the 70s was consumer reel to reel quarter inch tape.
This review is based on the mono vinyl record of this album.
Mono can be compared to explosions in the sky and it is understandable.
Remember this is just your opinion.
By definition all commercial records pressed before the introduction of stereo lp records in 1957 were monaural mono which means they were only able to output one signal channel to speakers or headphones.
Beatles meet the beatles still sealed original u s.
Since mono pressings outsold stereo pressings by a significant margin during the first half of the 1960s artists and studio engineers usually spent a great deal more time mixing the mono version of their albums than they did the stereo version simply because the mono version was the one that most buyers were going to hear.
